The biblical Psalms are, without doubt, a valuable source for Christian worship, but the vast text can prove daunting without direction. John D. Witvliet offers a solution with this brief but comprehensive survey of key theological themes, practical guidelines, and published resources related to the use of the Psalms.

Arranged in symphonic form with a "prelude" and "interludes," "The Biblical Psalms in Christian Worship" opens with a foundation of words about the Psalms from our wise church fathers, followed by a broad meditation on the basics of worship. Witvliet follows with an extensive tutorial on choosing a Psalm, engaging a congregation, deciding whether to speak or sing the text, and many other practical solutions for integrating Psalms into congregational worship for any generation.

By including both classroom exercises and a brief musical Psalm sampler as helpful appendices, Witvliet provides all the resources necessary to spark a renewed engagement with the Psalms in community and public worship. This will be an important text for pastors and worship leaders desiring to lead their congregations to renewal.

Through the sacrament of baptism, God shows his love -- the same love that claims us for his family, that sent Christ into the world to die for us; the same love that we show to one another. Using simple, clear text adapted from the French Reformed Church liturgy and paired with vibrant illustrations and straightforward explanations on every page, At Your Baptism provides the perfect way to show young children how baptism is a sign of God's love and promises.

The Worship Sourcebook is a collection of more than 2,500 prayers, litanies, and spoken texts for every element of traditional worship services held throughout the seasons of the church year. This indispensable resource for worship planners and pastors includes texts that can be read aloud as well as outlines that can be adapted for your situation. Teaching notes offer guidance for planning each element of the service. Thought-provoking perspectives on the meaning and purpose of worship help stimulate discussion and reflection. The companion CD contains the entire text of the book for easy cutting and pasting into bulletins, PowerPoint slides, orders of worship, and more. This second edition includes new and revised liturgies, additional prayers for challenging situations facing today's church, and new appendices.

Seeking to tell worship history in the same way it is usually experienced, Walking Where Jesus Walked is a document-rich snapshot of the church in Jerusalem in the late fourth century. / Here the reader journeys with a woman visiting Jerusalem as the highlight of a Holy Land pilgrimage in the last part of the fourth century. As she marvels at the new churches built at so many sites associated with Jesus Christ, she notes how remembrance shaped by Scripture and fitting to the time and place serves as the bedrock for this churchs worship. Ruth helps todays reader hear the preaching which caused shouts of delight at the tomb of Christ, know the readings which lead the congregation to weep in the shadow of Calvary, and see the new buildings which sought to manifest Gods glory at the places where Jesus had walked, died, and risen from the grave. / By pairing contemporary descriptions, artistic portrayals, and worship texts with various commentaries to guide readers, this first in a series of case studies of particular worshiping communities from around the world and throughout Christian liturgical history aims to allow a worshiper today to think concretely and contextually about some of the continually important issues for Christian worship.

Traditional surveys of Christian worship have not only stressed the profound changes that occurred in the fragmenting Reformation churches of the fifteenth and sixteenth centuries, but have also primarily focused on the theological understanding, rather than the practice, of worship. Contributors to this unique collection underline the complexity and diversity of late medieval and carly modern Catholic, Lutheran, Anglican, and Reformed worship practices in Europe. They examine a range of rites (baptism, marriage, and the Eucharist), elements of worship (visual art, music, prayer texts, rituals), geographic locations (Spain, Geneva, England, Sweden, Germany), and settings (home, school, and church). To illustrate the experience of worship by medieval and early modern laity and clergy, each essay is preceded by selections from key primary source documents being discussed. Contributors reveal that, contrary to the artificial separation of these two time periods by the modern academy, there was actually a great deal of continuity between medieval and early modern liturgical practices. They also demonstrate that political and social pressures were as significant as theological or doctrinal rationales when it came to modifying or retaining traditional practices. Worship in Medieval and Early Modern Europe offers readers a chance to understand better the societal and confessional norms that motivated late medieval and early modern Christians to maintain or change traditional Catholic worship practices. Featuring some of the most outstanding scholars in the field, this volume will be invaluable to academics interested in the Reformation, early modern studies, theology, and liturgical studies,as well as to general readers who wish to learn how their worship life was shaped in the sixteenth century.

Traditional surveys of Christian worship have not only stressed the profound changes that occurred in the fragmenting Reformation churches of the fifteenth and sixteenth centuries, but have also primarily focused on the theological understanding, rather than the practice, of worship. Contributors to this unique collection underline the complexity and diversity of late medieval and carly modern Catholic, Lutheran, Anglican, and Reformed worship practices in Europe. They examine a range of rites (baptism, marriage, and the Eucharist), elements of worship (visual art, music, prayer texts, rituals), geographic locations (Spain, Geneva, England, Sweden, Germany), and settings (home, school, and church). To illustrate the experience of worship by medieval and early modern laity and clergy, each essay is preceded by selections from key primary source documents being discussed. Contributors reveal that, contrary to the artificial separation of these two time periods by the modern academy, there was actually a great deal of continuity between medieval and early modern liturgical practices. They also demonstrate that political and social pressures were as significant as theological or doctrinal rationales when it came to modifying or retaining traditional practices. Worship in Medieval and Early Modern Europe offers readers a chance to understand better the societal and confessional norms that motivated late medieval and early modern Christians to maintain or change traditional Catholic worship practices. Featuring some of the most outstanding scholars in the field, this volume will be invaluable to academics interested in the Reformation, early modern studies, theology, and liturgical studies,as well as to general readers who wish to learn how their worship life was shaped in the sixteenth century.

The Christian practice of hymn singing, says renowned biblical scholar Walter Brueggemann, is a countercultural act. It marks the Christian community as different from an unforgiving and often ungrateful culture. It is also, he adds, an "absurd enterprise in the midst of the hyper-busy, market-driven society that surrounds us. In this helpful and engaging volume, Brueggemann discusses both why we sing and what we sing. The first part of the book examines the Psalms and what they can teach us about the reasons that corporate song is a part of the Christian tradition. The second part looks at fifteen popular hymns, including classic and contemporary ones such as Blest Be the Ties That Binds, God's Eye Is on the Sparrow, Once to Every Man and Nation, Someone Asked the Question, and We Are Marching in the Light of God, and the reasons why they have caught our imagination. To know why we sing, Brueggemann writes, may bring us to a deeper delight in our singing and a strengthened resolve to sing without calculation before the God who is enthroned on the praises of Israel (Ps. 22:3).